The original ProRes recorder
Ki Pro established a new paradigm in tapeless recording. Revolutionizing how footage tracks from production to editorial, Ki Pro captures Apple ProRes 422 files direct from the source, which can then be used in most editing systems without the need for additional import or transcoding steps.
Just remove the Storage Module from the Ki Pro, connect direct to the editing computer and once the files are transferred they are immediately ready for use in the NLE software.
10-bit, full raster recording
Big on quality – but not on file size. Recording 10-bit, full raster files, Ki Pro Mini gives you high quality images that easily stand up to post processing requirements – and client scrutiny.
Compared to 8-bit recording devices, 10-bit 4:2:2 recording provides greater dynamic range, giving a superior representation of the original scene and allowing for more flexibility in post production when adjusting color and balance.
By utilizing efficient ProRes codecs, file sizes are kept in check so you won’t need to blow your production budget on extra storage.
Ki Pro’s extensive connectivity ensures it can interface with virtually any gear you might have in your production workflow. The packed rear connections include SDI, HDMI, component analog, balanced and unbalanced audio connectors, LTC input/output, and even LANC.